Simon Curtis's "My Week with Marilyn," a minor film backed by a major marketing campaign, requires a certain amount of suspension of disbelief.First, one has to believe author Colin Clark's claim that he spent one (relatively) wild week with Marilyn Monroe while she was filming "The Prince and the Showgirl" in London and he was working as a production assistant on the film.
With just about everyone connected with the film now deceased, who's around to challenge his boast?
Secondly, there's Michelle Williams, an actress who has been very good on occasion but whose sole credentials for playing Monroe are that she's female and blonde.
To the film's credit, it is not entirely reverential of its central icon. In many ways, it ventures into risky "Mommie Dearest" territory. The Marilyn here is in touch with her own naked feelings but oblivous to the feelings of others, almost to the point of casual sadism.
And her work on "The Prince and the Showgirl" is so painfully awful, at least as portrayed here, that one spends the film wondering exactly what was so special about her or why anyone would put up with her.
A very odd movie.
4 comments:
This is the kind of film that can derail an actor's career. Williams has been extremely careful so far and I guess the risk made doing this worthwhile. But, frankly, I can't imagine anyone successfully miming Monroe.
The film lacked all the qualities I admire in biopics. I found it extremely garish, both emotionally and visually.
One big problem with MY WEEK WITH MARILYN was that that, perhaps understandably, it takes MM’s fundamental intractability as a person, performer and icon and sentimentalizes the living bejesus out of her.
This film is not meant to be a biopic.
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